I work primarily with muted tones and subtle contrasts. Rather than describing a specific place or moment, my paintings suggest an atmosphere; something felt rather than defined. The process is intuitive but deliberate. Layers are built, obscured, and revealed again, allowing traces of earlier decisions to remain visible.
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​What interests me most is the point where simplicity becomes expressive. When reduced to its essential elements, a surface can hold more meaning, not less. Imperfection, variation, and the human hand are central. They create rhythm, depth, and a sense of time embedded in the material. My work is informed by everyday observation: light on a wall, the texture of weathered surfaces, the way space can feel
both empty and full. I am less interested in representation than in evocation: creating pieces that invite pause, reflection, and sustained looking.
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Alongside painting, photography plays an important role in my practice. My photographic work shares the same sensibility. A focus on quiet moments, understated composition, and natural light. The camera allows me to capture what often goes unnoticed: subtle shifts, gentle imperfections, and the poetry of ordinary spaces. Both mediums are connected by the same intention: to reveal beauty in simplicity, and to create work that feels timeless, calm, and deeply human.
My work begins with stillness. A painting emerges slowly, through layering, reduction, and attention to what remains when distraction falls away. I am drawn to restraint, to compositions that leave space for the viewer to enter and complete the experience. Each piece is an exploration of balance: between presence and absence, softness and structure, intention and intuition.